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The Met: Live in HD | "The Exterminating Angel" by Thomas Adès

mThomas Adès' The Exterminating Angel will be transmitted live from the Metropolitan Opera in New York on November 18, 2017 at the Praha Cinema in Warsaw.

The Exterminating Angel has its Met premiere this season, conducted by the composer, Thomas Adès.The 2016 opera, co-commissioned by the Met and sung in English, is based on the screenplay by Luis Buñuel and Luis Alcoriza for the acclaimed 1962 Buñuel film. Directed by the librettist Tom Cairns, the ensemble cast features Audrey Lunaas Leticia Maynar; Amanda Echalazas Lucia de Nobile; Sally Matthewsas Silvia de Ávila and Sophie Bevanas Beatriz,both in Met debuts; Alice Coote as Leonora Palma; Christine Riceas Blanca Delgado; Iestyn Daviesas Francisco de Ávila; Joseph Kaiseras Edundo de Nobile; Frédéric Antounin his Met debut as Raúl Yebenes; David Portilloas Edmundo; David Adam Moorein his Met debut as Col. Álvaro Gómez; Rod Gilfryas Alberto Roc; Kevin Burdetteas Señor Russell; Christian Van Hornas Julio; and John Tomlinsonas Dr Carlos Conde. The Exterminating Angelis a co-commission and co-production with the Royal Opera House, Covent Garden; Royal Danish Theatre; and Salzburg Festival, where the production premiered in 2016.

Media patronage: Polish Music Information Centre POLMIC.

More information: http://www.kinopraha.pl

A special concert "Professor Mieczysław Nowakowski in memoriam" on the occasion of the Feliks Nowowiejski Year

svThe Finding of the Holy Cross – Feliks Nowowiejski’s monumental oratorio will be performed at a special “Professor Mieczysław Nowakowski in memoriam” concert on the occasion of the Feliks Nowowiejski Year. The event will take place on November 24, 2017 at 8 p.m. at the Church of the Holy Cross in Warsaw.

Considered by critics to be Feliks Nowowiejski’s finest oratorio, The Finding of the Holy Cross (Kreuzauffindung) has not been performed very frequently. Even though the work’s first performance in Lviv in 1906 was a great success, the winds of history prevented it from becoming a staple of the Polish oratorio repertoire. Luckily, Nowowiejski’s output has become better appreciated in recent years. This has resulted in a growing number of concerts and recordings of works written by this exceptional composer, who was also a conductor, teacher, the pope’s chamberlain and virtuoso organist.

The Warsaw premiere of the work will take place thanks to the persistent efforts of Professor Mieczysław Nowakowski. This eminent conductor died in February of 2017. For a very long time he hoped to conduct his favourite oratorio to conclude his career in Warsaw. Professor Nowakowski not only had ties with Poland’s capital as a conductor, where he directed more than 1200 performances in the Teatr Wielki – the National Opera, but he was also a professor at the Warsaw Academy of Music. The performance of The Finding of the Holy Cross in the basilica in which Professor Nowakowski’s funeral ceremony was held eight months earlier thus acquires a new, symbolic meaning.

The Finding of the Holy Cross tells the story of St. Helena and her mission to find the true cross on which Jesus died. According to legend, on the eve of a battle emperor Constantine the Great saw a luminous cross in the sky, surrounded by the inscription “In hoc signo vinces” (In this sign thou shalt conquer). After a miraculous victory, the ruler promised to build a temple on the site of Christ’s crucifixion. This task was undertaken by the emperor’s mother Helena. Nowowiejski’s oratorio in three scenes shows her pilgrimage, her struggle with pagan cults in Jerusalem and her laborious search for holy relics. St. Helena will be sung by Ewa Biegas, while Macarius, bishop of Jerusalem will be sung by Krzysztof Szumański. The Sinfonia Varsovia Orchestra will be accompanied by the National Philharmonic Choir, directed by Bartosz Michałowski. A monumental cast of 160 performers will be conducted by Sebastian Perłowski.

Admission to the concert is free. The event is organised by the Sinfonia Varsovia Orchestra and the Institute of Music and Dance and is co-funded by the Minister of Culture and National Heritage under the project “Nowowiejski 2017”, realized by the Institute of Music and Dance. Honorary sponsor: Kazimierz Cardinal Nycz, Archbishop of Warsaw.

The concert will be broadcast online at http://www.sinfoniavarsovia.org/pl/. 

Media patronage: Polish Music Information Centre POLMIC.

The release of the album „Bartłomiej Pękiel. Opera omnia”

pThe release of the album „Bartłomiej Pękiel. Opera omnia” will take place on November 19, 2017 at the St. Catherine's Church (7 Augustiańska Street, Cracow).

The project is the final stage of the task of recording all works of Pękiel, based on the musicological research conducted in The Archives of the Krakow Cathedral Chapter, undertaken by the OCTAVA ensemble in 2015. The high status of the task is evidenced by the fact that its implementation and financing were supported by flagship institutions and state entities responsible for Polish culture and its promotion, including: Ministry of Culture and National Heritage, National Center of Culture, Lesser Poland Voivodeship, Municipality of Krakow, FiNA - National Film Archive - Audiovisual Institute, Adam Mickiewicz Institute (Culture.pl) and Institute of Music and Dance.

The three-disc album is the first in the history of the music market with a full picture and complete phonographic recording of the work of court composer of Władysław IV Waza. During the concert the OCTAVA ensemble under the direction of Zygmunt Magiera will present selected works by the genius Polish artist working in the Royal Wawel Cathedral, including: Missa Concertata la Lombardesca, Dulcis Amor Iesu, Dum Complerentur, Assumpta est Maria, Ave Maria, Magnum Nomen Domini, Audite mortales. The concert will be preceded by a lecture on the performed works, the genesis and the context of their creation.

During the concert it will be possible to purchase "Bartłomiej Pękiel. Opera omnia" at a promotional price. Admission to the event is free.

Media patronage: Polish Music Information Centre POLMIC.

More at: http://www.pekiel.pl/ 

Final of the "Pictures from Conrad" Festival

cMusic of Krzesimir Dębski, Adrian Williams, Jarosław Siwiński and Adam Porębski, inspired by the work of Polish-born British writer Józef Teodor Konrad Korzeniowski, will be presented at the final of the "Pictures from Conrad" Festival on November 26, 2017 at the Witold Lutosławski Concert Studio of Polish Radio.

The final concert will feature works inspired by Conrad's novels: The Secret Agent, The Rescue, Poland Revisited and The Shadow Line. Fragments of texts selected by the composers will be also read out at the concert. The festival is organized by the Polish Society of Contemporary Music. Admission free.

Media patronage: Polish Music Information Centre POLMIC.

More about the festival athttps://ptmw.art.pl

Piano Works by Founders of Warsaw’s University of Music

uA concert entitled "Piano Works by Founders of Warsaw’s University of Music" will be held on December 3, 2017 at 5:00 p.m. in the Concert Hall of the Fryderyk Chopin University of Music.

Performer: Marcin Tadeusz Łukaszewski – piano. Programme: Grażyna Bacewicz, Marian Borkowski, Anna Ignatowicz-Glińska, Andrzej Karałow, Bartosz Kowalski-Banasewicz, Paweł Łukaszewski, Piotr Perkowski, Marian Sawa, Tomasz Sikorski, Jakub Szafrański, Wojciech Szmidt.

The concert is given by Chair of Music Education and Inter-Department of Comprehensive Piano Studies as part of the jubilee of 90 years of Department of Choir Conducting, Music Education, Church Music, Rhythmics and Dance.

Free admission cards available at the UMFC (2 Okólnik Street).

Media patronage: Polish Music Information Centre POLMIC.

From Elsner to Moryto

uA concert given by Chair of String Instruments of the Fryderyk Chopin University of Music entitled "From Elsner to Moryto" will be held on December 4, 2017 at 7:00 p.m.

Performers: Emilia Jarocka, Debora Kramarek, Judyta Kluza, Joanna Rybak, Kinga Zlot, Aleksandra Grudzińska, Karolina Miśkowiec, Zuzanna Budzyńska, Anna Korczyńska, Nikola Kiszczak, Błażej Bębeńca, Ayeong Heo, Emilia Łapko, Aleksandra Błaszczyk, Jan Pietkiewicz  – violin, Grzegorz Skrobiński, Aleksandra Dallali, Ewa Skardowska, Szymon Ogryzek, Andrzej Guz, Yuka Mohri, Aleksandra Płaczek  – piano.

Programme: Józef Elsner, Apolinary Kątski, Aleksander Zarzycki, Emil Młynarski, Ignacy Jan Paderewski / Stanisław Barcewicz, Karol Szymanowski, Stanisław Moryto, Tadeusz Paciorkiewicz, Henryk Melcer.

Artistic supervision: prof. dr hab. Andrzej Gębski.

Free admission cards available at the UMFC (2 Okólnik Street).

Media patronage: Polish Music Information Centre POLMIC.

Instrument Masters in "Wednesday on Okólnik Street" concert cycle

uA concert of the Symphony Orchestra of the Fryderyk Chopin University of Music under Maestro Vladimir Kiradijev will take place on November 29, 2017 at 7:00 p.m. 

Performers: Agata Szymczewska – violin, The FCUM Symphony Orchestra, Vladimir Kiradjiev  – conductor. Programme: Karol Szymanowski, Roman Palester, Francis Poulenc. Ticket: 15 PLN.

The concert is a part of "Instrument Masters" in "Wednesday on Okólnik Street" cycle. It is also a part of the National Conference Roman Palester's Perfect Pitch, which will be held between November 29 and December 2. Admission for the conference is free.

Media patronage: Polish Music Information Centre POLMIC.

13th International Festival of Contemporary Music and Visual Arts „Mózg Festival” in Warsaw

m13th edition of the International Festival of Contemporary Music and Visual Arts „Mózg Festival” will be held in Warsaw between November 28 and December 2, 2017.

International Festival of Contemporary Music and Visual Arts „Mózg Festival” is an encounter of artists who work and create in all areas of contemporary music as well as performance art and multimedia installations where music plays an important part. Artists who participate in the festival come from all around the world. This reflects the multicultural principle of "Mózg Festival" and enables the audience to experience and understand different aspects of various cultures.

The festival presents the newest performance techniques and interdisciplinary combinations that relate to and honour tradition. Among the invited artists there are outstanding characters from the artistic world as well as young artists, whose hitherto activity manifests uniqueness. An indispensable part of the festival is the participation of local artists who meet the above-mentioned expectations. All artistic activity is treated as means leading to deeper understanding of the surrounding reality and changes that occur in the world.

Media patronage: Polish Music Information Centre POLMIC.

Festival Programme: http://www.festiwal.mozg.pl 

BASSO 2. Biennale of Low Tones: "BASSO in the underground" and "AUKSO with basses"

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BASSO 2. Biennale of Low Tones will take place in Warsaw and will last until November 30, 2017.

BASSO is a unique biennial, mainly due to its originality and pioneering character in Poland. The idea of ​​the event is to go beyond the framework of the classical festival of classical music. The core of the programme is music for bass instruments, with particular emphasis on cello, viola da gamba and double bass, as well as brass and electronic instruments (tuba, bassoon, bass guitar) and folk instruments (basses). The name of the event refers to the baroque practice of basso continuo, i.e. a system of partially improvised accompaniment played on a bass line.

On November 26 at the Podziemie Kamedulskie singer Justyna Piernik and her father, tubist Zdzisław Piernik will perform music from Kuyavia region. The concert will be accompanied by a lecture on the role of bass instruments in Polih traditional music given by musicologist, instrumentalist and vocalist Maciej Kaziński, and the presentation of tubmaryna given by musician, animator and musical instrument builder Dominik Dembiński.

The final concert on November 30 will feature the AUKSO Chamber Orkiestra under Marek Moś along with Malisze Band from Męcina Mała in the Low Beskids who will perform short folk songs and dances from the Gorlice County on violin, hurdy-gurdy, nyckelharpa, drum and basses.

Media patronage: Polish Music Information Centre POLMIC.

More informationFacebook Profile.

"The Taming of the Shrew" from the Bolshoi Theatre

bAn innovative ballet interpretation of Shakespeare's The Taming of the Shrew will be broadcast live from the Bolshoi Theater in Moscow at the Praha Cinema in Warsaw on November 26, 2017. 

Rather than a macho handbook, The Taming of the Shrew can be construed as an encounter between two forces of nature, who recognise one another at last. If they are abrupt, obnoxious, it stems from their solitude; they are fundamentally different from the society they live in, albatrosses among sparrows, and their excesses signal that they have yet to find a man (or a woman) who can measure up to them. Their love is out of the ordinary: while Petruchio could appear to be interested only in Baptista’s fortune, once the ink is dry on their marriage certificate, he doesn’t let go of Katharina. If he is interested, it’s by this woman; the real dowry, the actual gold mine, it’s her. He still needs to put her through a series of challenges to make sure that he wasn’t mistaken, that they are right for each other — measure for measure, so to speak. He was right. So was she. If she gives in to her husband’s demands, it’s not because she has found her master, but because she has met her match. Her submissiveness is an act. It hardly matters whether or not the sun is the moon, because the two of them have their own, extra-ordinary light. Petruchio isn’t fooled by by his wife’s new attitude. For the outside world, however, the prevalent social norms are safe. Everyone can breathe a sigh of relief: even the most reluctant among them have complied. In truth, Katharina and Petruchio play their parts in perfect harmony, and their singular tune sets them apart in what is a game of artifice.

Media patronage: Polish Music Information Centre POLMIC.

More information: http://www.kinopraha.pl

27th Portraits of Composers

Polish Composers’ Union invites the listeners to attend the concert cycle entitled „Portraits of Composers” presented this year for the 27th time. The concerts will be held at "Łowicka" Center (Łowicka 21 street, Warsaw) on December 4 and 5, 2017 at 8 p.m. The main artists of this year's edition are Carlos Malcolm and Agnieszka Stulgińska.p


The concerts will feature two premieres commissioned by the Polish Composers' Union thanks to support of PZU Foundation. Momento musical for piano for four hands (2017) by Carlos E. Malcolm is the result of composer's experience gained during his stay in Poland. It will be perdormed by the composer and pianist Kyeong-Yeon Seo.

Three women for three women and 10 instruments (2017) by Agnieszka Stulgińska is a piece about feminity, motherhood, difficult life, travelling, space, longing, intimacy, power and generations – all the things that cannot be included in the limited space and notation... A starting point for searching for the timbre was the Polish-Belarusian boarderland where composer's father was born, and a voice of an old woman, the earth. The composition will be premiered by the well-known vocalists Maniucha Bikont and Marta Grzywacz, as well as Hashtag Ensemble.

Admission to all concerts is free.

Media patronage: Polish Music Information Centre POLMIC.


 

27th Portraits of Composers
Programme

December 4, 2017 | Carlos Malcolm

13 Estudios para piano (1963)

Preludio (Allegro mosso)

Fugato (Moderato)

Contrastes (Andantino)

Segundas (Andante con espressivo)

Ritmica (Allegro ben ritmato)

Octavas – Progresiones (Con fuoco)

Sonatina (Allegro vivace – quasi presto)

Marcha – Mixolidica (Allegro giocoso)

Guajira (Moderato)

Habanera (Tempo habanera)

Pentafonismo

Como un pequeno pasacalle (Molto espressivo ma ben ritmato)

Un son para ninos antillanos (Allegreto)

Kyeong-Yeon Seo – piano

 

Songs to the lyrics of Caribbean poets (1979-1980)

Coplas de Juan el barbero, lyrics by Nicolas Guillen

Balada del Guije, lyrics by Nicolas Guillen

Un son para ninos antillanos, lyrics by Nocolas Guillen

The tropics in New York, lyrics by Claude McKay

Abrazo, lyrics by Antonio Preciado

Matabara del hombre malo, lyrics by Antonio Preciado

Performers:

Michał Przygoński – baritone

Kyeong-Yeon Seo – piano

 

Adagio for piano for four hands (1975)

Kyeong-Yeon Seo – piano

Carlos E. Malcolm – piano

 

Sonata for violin and piano (2007, rewizja 2017)

I: Allegro, ben ritmato

II: Adagio cantabile

II: Allegro scherzando

Barbara Malcolm – violin

Carlos E. Malcolm – piano

 

Momento musical for piano for four hands (2017)*

Kyeong-Yeon Seo – piano

Carlos E. Malcolm – piano

 

December 5, 2017 | Agnieszka Stulgińska

ORI for clarinet, cello, accordion and electric guitar (2010)

Dance with my Breath for flute, clarinet, violin, cello and piano (2015)

FGT (Flying Garbage Truck) for violin, saxophone, cello, accordion, piano and tape (2012)

NOZ – a cycle of 4 scenes for contrabass clarinet and cello  (2016)

Trzy kobiety for three women and 10 instruments (2017)*

Performers:

Maniucha Bikont – voice

Michał Górczyński – clarinet / contrabass clarinet

Robert Jędrzejewski – cello

Hashtag Ensemble:

Oliwier Andruszczenko – clarinet

Wojciech Błażejczyk – electric guitar, sound engineering

Aleksandra Demowska-Madejska – viola

Adam Eljasiński – clarinet

Marta Grzywacz – voice

Agnieszka Guz – violin

Paweł Janas – accordion

Ania Karpowicz – flutes

Krzysztof Kozłowski – piano

Leszek Lorent – percussion

Mateusz Loska – double bass

Dominik Płociński – cello

Wojciech Psiuk – saxophones

Kamil Staniczek – violin

Lilianna Krych – conductor

* premier, commissioned thanks to support of PZU Foundation

 

XXVII International Festival of Young Laureats of Music Competitions “Interventions 2017”

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The Institution of Music Promotion and Popularizarion "Silesia" invites for the second part of this year’s edition of the International Festival of Young Laureats of Music Competitions “Interventions 2017”, which will take place in Katowice between November 23 and December 15, 2017.

During the festival we will hear laureats of the 66th ARD International Music Competition in Munich, “Estrada Młodych” Music Competition, 51st Polish Piano Festival in Słupsk and other important Polish and international competitions for instrumentalists, cameralists and vocalists. It will also be an occasion to see on stage participants of the Opera Academy at the Teatr Wielki – National Opera in Warsaw. The programme will include works by Stanisław Moniuszko and Karol Szymanowski. Festival concerts will take place at the Concert Hall of the Karol Szymanowski Academy of Music, NOSPR Chamber Hall, Archidiocesean Museum and different community centers in Katowice.

The festival is co-financed by the Institute of Music and Dance as part of the programme „Music and Dance – Interventions 2017”.

Media patronage: Polish Music Information Centre POLMIC.

Detailed programme: http://www.silesia.art.pl

The Final Concert of the XXVII International Festival of Young Laureats of Music Competitions – Interventions 2017

fmlOn December 15, 2017 at 6 p.m. at the Concert Hall of the Academy of Music in Katowice (Zacisze 3 Street) a final concert of the XXVI International Festival of Young Laureats of Music Competitions will take place under the title „Sketches for the opera – Stanisław Moniuszko’s „The Haunted Manor”. 

Young vocalists, laureats of Polish and international competitions, students and graduates of music academies and different educational centers, as well as participants of the Opera Academy at the Teatr Wielki – National Opera in Warsaw, will perform well-known arias, duets and ensembles from Moniuszko’s “The Hanuted Manor”.

The event is co-financed by the Institute of Music and Dance as part of the programme „Music and Dance – Interventions 2017”. Free admission cards available at the IPiUM “Silesia” beureau (31a 3 Maja Street) and by phone (10 a.m. to 2 p.m.).

Media patronage: Polish Music Information Centre POLMIC.

Haydn. The Day Trilogy | Berenice

siPolish Sinfonia Iuventus Orchestra will perform Joseph Haydn's "The Day Trilogy" symphonies and Scena di Berenice with Olga Pasiecznik on December 15th, 2017, at 7:00 p.m. at the Great Hall of the Royal Castle in Warsaw.

Three symphonies devoted to different time periods – times of day – are an interesting curiosity in Haydn's legacy. There are some mentions that there were supposed to be four works, but if “Night” was one of them, it has not survived and today the cycle consists of three: Morning, Noon and Evening, annotated in the scores with French titles. It was probably created around 1761, shortly after the great composer took up the post of the vice-band leader of the ensemble of Prince Pál Esterházy. These charming Rococo works are evidence of the intensive search for a new expression of the hitherto simple sinfonia of Baroque provenance and its transformation into a mature, classic symphony.

During his second visit to London in 1795, Haydn wrote the dramatic scene Berenice, che fai for Italian singer Brigida Banti, using the expressive text from Pietro Metasiasio’s Antigono. In the work, Berenice mourns the (alleged) suicidal death of her beloved Demetrio. The role of the emotion-torn Berenice will be sung by one of the most acclaimed singers, Olga Pasiecznik from Ukraine, who has been living in Poland for years. Pasiecznik is adored by audiences for many unforgettable opera and oratorial roles, as well as her wonderful song repertoire. The concert will be led by Gabriel Chmura.

Concerts of Polish Sinfonia Iuventus Orchestra are organised under Polish Music Information Centre POLMIC patronage.

More information: http://sinfoniaiuventus.pl 

Final concert of the “AUKSO Young Philharmonic”

mfaThe final concert of the 5th edition of the workshops “AUKSO Young Philharmonic” will take place on December 15, 2017 at 7 p.m. at Mediateka in Tychy (16 Piłsudskiego Street). It will be performed by the AUKSO Chamber Orchestra and the AUKSO Young Philharmonic under Marek Moś and an excellent violinist Jakub Jakowicz as a soloist.

The programme will be dominated by Polish music. It will include such pieces as Suite in G major for string orchestra by Ignacy Jan Paderewski, Concerto for violin and string orchestra by Andrzej Panufnik and The Legend, op. 17 by Henryk Wieniawski. The list will be completed with Serenade E major, Op. 22 for string orchestra by Anton Dvořák. 

The project is organized by the AUKSO Chamber Orchestra of the City of Tychy and Gorczycki.pl Society, and co-finaned by the Institute of Music and Dance as part of the programme „Music and Dance – Interventions 2017”. Tickets available at https://www.ticketpro.pl.

Media patronage: Polish Music Information Centre POLMIC.

More at www.aukso.pl and www.gorczycki.pl