W dniach 6-7 maja 2016 roku w Instytucie Muzykologii Uniwersytetu Warszawskiego i w Instytucie Sztuki PAN odbędzie się międzynarodowa konferencja Music Migration in the Early Modern Age: Centres and Peripheries – People, Works, Styles, Paths of Dissemination and Influence, realizowana w ramach europejskiego grantu badawczego HERA (Humanities in the European Research Area).
PROGRAM
6 May 2016 (Friday) Tyszkiewicz-Potocki Palace (Central Campus of the University of Warsaw, Krakowskie Przedmieście 32), The Ball Hall
9.30-10.00 Opening addresses 10.00-10.45 Keynote lecture Reinhard Strohm (Oxford - Hamburg): Migration, Reception or Tradition? The Wanderings of Music
10.45 Refreshment
11.00-12.30 Session I Chair: Sławomira Żerańska-Kominek (Warsaw) 11.00-11.30 Barbara Przybyszewska-Jarmińska (Warsaw): Music Repertory in the 17th Century Commonwealth of Poland and Lithuania. Import, Production, Export 11.30-12.00 Tomasz Jeż (Warsaw): The Music Library as a Pre(-)text for Repertoire Transmission. The Italian Music Collection of Daniel Sartorius from Breslau 12.00-12.30 Klemen Grabnar (Ljubljana): The Practice of Musical Litanies in Counter-Reformation Inner Austria
12.30 Refreshment
12.45-14.45 Session II Chair: Gesa zur Nieden (Mainz) 12.45-13.15 Katarina Trček (Ljubljana): Migration Flows in 17th and 18th Century on the Territory of Today’s Slovenia 13.15-13.45 Berthold Over (Mainz): Düsseldorf – Zweibrücken – Munich. Musicians’ Migrations in the Wittelsbach Dynasty 13.45-14.15 Szymon Paczkowski (Warsaw): The Musical Interests and Patronage of Christoph von Wackerbarth (1662-1734)
14.15 Lunch
16.00-17.30 Session III Chair: Szymon Paczkowski (Warsaw) 16.00-16.30 Anna Ryszka-Komarnicka (Warsaw): Operas, Dialogues and Oratorios Based on the Book of Judith in 17th and 18th Century Europe. Migrations of Subject, Libretti and Musicians 16.30-17.00 Aneta Markuszewska (Warsaw): ‘Eumene’ – a Migratory Opera Hero of Early Modern Period 17.00-17.30 Metoda Kokole (Ljubljana): Did Andrea Bernasconi Composed ‘Adriano in Siria’ Twice?
17.30 Refreshment
17.45-18.45 Session IV Chair: Stanislav Tuksar (Zagreb) 17.45-18.15 Lucija Konfic (Zagreb): Stratico and Tartini – Student and Master. G.M. Stratico’s Music System in Comparison with Tartini’s Music Theory 18.15-18.45 Nataša Cigoj Krstulović (Ljubljana), Schikaneder in Ljubljana. Repertoire Transmission Routes 18.45 Buffet 20.15 Concert Music at the Polish Royal Courts in the 17th Century.
Il Tempo Baroque Ensemble and soloists, dir. Agata Sapiecha (programme: G.F. Anerio, K. Förster jr, M. Mielczewski, B. Pękiel, M. Scacchi, A. Subissati) The Carmelite Church, Krakowskie Przedmieście 52/54
7 May 2016 (Saturday) Polish Academy of Sciences, Institute of Art (Długa 26), The Sobieskis Hall
9.30-11.00 Session V Chair: Elżbieta Witkowska-Zaremba (Warsaw) 9.30-10.00 Harry White (Dublin): ‘Attending His Majesty’s State in Ireland’: German and Italian Musicians in Dublin, 1700-1762 10.00-10.30 Olga Dadiomova (Minsk): Musicians in the 17th Century Grand Duchy of Lithuania and their Contribution to the Russian Musical Culture 10.30-11.00 Stanislav Tuksar (Zagreb): From Periphery to Centre and Back: the Case of Giorgio Bagliavi (Dubrovnik, 1668 – Rome, 1707) and his Preoccupations with Music Therapy
11.00 Refreshment
11.15-12.30 Session VI Chair: Metoda Kokole (Ljubljana) 11.15-11.45 Gesa zur Nieden (Mainz): Music and the Establishment of French Huguenots in Northern Germany during the 18th Century 11.45-12.15 Maja Milosevic (Zagreb): From the Periphery to the Centre and Back: the Case of Giuseppe Raffaelli (1767-1843) from Hvar 12.15-12.30 Janusz Hofmann – Maik Köster (Mainz): Representing Networks - Challenges and Perspectives (poster)
12.30 Refreshment
12.45-13.45 Session VII Chair: Berthold Over (Mainz) 12.45-13.15 Vjera Katalinić (Zagreb): Jarnovic/Giornovicchi in Stockholm: A Centre or a Periphery? 13.15-13.45 Alina Żórawska-Witkowska (Warsaw): Varsavia nel Settecento: periferia, cardine, centro della cultura musicale europea
13.45 Lunch
14.45-16.15 Chair: Vjera Katalinić (Zagreb) 14.45-15.30 Closing lecture: the way forward Ivano Cavallini (Palermo): Music Migrations from Bohemian Lands to Trieste and the National Awakening of Southern Slavs 15.30-16.15 Final discussion 18.00 Concert Music of the 18th Century – «all’italiana» and «alla polaccca». Royal Baroque Ensemble and soloists, dir. Marek Toporowski (programme: J.A. Hasse, F. Janiewicz, N. Porpora, G.A. Ristori, D. Scarlatti, J. Woelffl) Royal Castle (Plac Zamkowy 4), The Great Assembly Hall
20.30 Conference dinner InFormal Kitchen (Plac Stanisława Małachowskiego 2)
ZOBACZ: Program PDF
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