sesje aktualne (M)


Międzynarodowa Konferencja Muzykologiczna „Music Migration in the Early Modern Age” – Warszawa, 6-7 maja 2016


Organizator:  Instytut Muzykologii Uniwersytetu Warszawskiego, Instytut Sztuki Państwowej Akademii Nauk

W dniach 6-7 maja 2016 roku w Instytucie Muzykologii Uniwersytetu Warszawskiego i w Instytucie Sztuki PAN odbędzie się międzynarodowa konferencja Music Migration in the Early Modern Age: Centres and Peripheries – People, Works, Styles, Paths of Dissemination and Influence, realizowana w ramach europejskiego grantu badawczego HERA (Humanities in the European Research Area).

 

PROGRAM


6 May 2016 (Friday)
Tyszkiewicz-Potocki Palace (Central Campus of the University of Warsaw, Krakowskie Przedmieście 32), The Ball Hall

9.30-10.00 Opening addresses
10.00-10.45 Keynote lecture
Reinhard Strohm (Oxford - Hamburg): Migration, Reception or Tradition? The Wanderings of Music

10.45 Refreshment

11.00-12.30 Session I
Chair: Sławomira Żerańska-Kominek (Warsaw)
11.00-11.30 Barbara Przybyszewska-Jarmińska (Warsaw): Music Repertory in the 17th Century Commonwealth of Poland and Lithuania. Import, Production, Export
11.30-12.00 Tomasz Jeż (Warsaw): The Music Library as a Pre(-)text for Repertoire Transmission. The Italian Music Collection of Daniel Sartorius from Breslau
12.00-12.30 Klemen Grabnar (Ljubljana): The Practice of Musical Litanies in Counter-Reformation Inner Austria

12.30 Refreshment

12.45-14.45 Session II
Chair: Gesa zur Nieden (Mainz)
12.45-13.15 Katarina Trček (Ljubljana): Migration Flows in 17th and 18th Century on the Territory of Today’s Slovenia
13.15-13.45 Berthold Over (Mainz): Düsseldorf – Zweibrücken – Munich. Musicians’ Migrations in the Wittelsbach Dynasty
13.45-14.15 Szymon Paczkowski (Warsaw): The Musical Interests and Patronage of Christoph von Wackerbarth (1662-1734)

14.15 Lunch

16.00-17.30 Session III
Chair: Szymon Paczkowski (Warsaw)
16.00-16.30 Anna Ryszka-Komarnicka (Warsaw): Operas, Dialogues and Oratorios Based on the Book of Judith in 17th and 18th Century Europe. Migrations of Subject, Libretti and Musicians
16.30-17.00 Aneta Markuszewska (Warsaw): ‘Eumene’ – a Migratory Opera Hero of Early Modern Period
17.00-17.30 Metoda Kokole (Ljubljana): Did Andrea Bernasconi Composed ‘Adriano in Siria’ Twice?

17.30 Refreshment

17.45-18.45 Session IV
Chair: Stanislav Tuksar (Zagreb)
17.45-18.15 Lucija Konfic (Zagreb): Stratico and Tartini – Student and Master. G.M. Stratico’s Music System in Comparison with Tartini’s Music Theory
18.15-18.45 Nataša Cigoj Krstulović (Ljubljana), Schikaneder in Ljubljana. Repertoire Transmission Routes
18.45 Buffet
20.15 Concert Music at the Polish Royal Courts in the 17th Century.

Il Tempo Baroque Ensemble and soloists, dir. Agata Sapiecha (programme: G.F. Anerio, K. Förster jr, M. Mielczewski, B. Pękiel, M. Scacchi, A. Subissati)
The Carmelite Church, Krakowskie Przedmieście 52/54

 

7 May 2016 (Saturday)
Polish Academy of Sciences, Institute of Art (Długa 26), The Sobieskis Hall

9.30-11.00 Session V
Chair: Elżbieta Witkowska-Zaremba (Warsaw)
9.30-10.00 Harry White (Dublin): ‘Attending His Majesty’s State in Ireland’: German and Italian Musicians in Dublin, 1700-1762
10.00-10.30 Olga Dadiomova (Minsk): Musicians in the 17th Century Grand Duchy of Lithuania and their Contribution to the Russian Musical Culture
10.30-11.00 Stanislav Tuksar (Zagreb): From Periphery to Centre and Back: the Case of Giorgio Bagliavi (Dubrovnik, 1668 – Rome, 1707) and his Preoccupations with Music Therapy

11.00 Refreshment

11.15-12.30 Session VI
Chair: Metoda Kokole (Ljubljana)
11.15-11.45 Gesa zur Nieden (Mainz): Music and the Establishment of French Huguenots in Northern Germany during the 18th Century
11.45-12.15 Maja Milosevic (Zagreb): From the Periphery to the Centre and Back: the Case of Giuseppe Raffaelli (1767-1843) from Hvar
12.15-12.30 Janusz Hofmann – Maik Köster (Mainz): Representing Networks - Challenges and Perspectives (poster)

12.30 Refreshment

12.45-13.45 Session VII
Chair: Berthold Over (Mainz)
12.45-13.15 Vjera Katalinić (Zagreb): Jarnovic/Giornovicchi in Stockholm: A Centre or a Periphery?
13.15-13.45 Alina Żórawska-Witkowska (Warsaw): Varsavia nel Settecento: periferia, cardine, centro della cultura musicale europea

13.45 Lunch

14.45-16.15
Chair: Vjera Katalinić (Zagreb)
14.45-15.30 Closing lecture: the way forward Ivano Cavallini (Palermo): Music Migrations from Bohemian Lands to Trieste and the National Awakening of Southern Slavs
15.30-16.15 Final discussion
18.00 Concert Music of the 18th Century – «all’italiana» and «alla polaccca».
Royal Baroque Ensemble and soloists, dir. Marek Toporowski (programme: J.A. Hasse, F. Janiewicz, N. Porpora, G.A. Ristori, D. Scarlatti, J. Woelffl)
Royal Castle (Plac Zamkowy 4), The Great Assembly Hall

20.30 Conference dinner
InFormal Kitchen (Plac Stanisława Małachowskiego 2)

 

ZOBACZ: Program PDF


Kontakt:

Warsaw University, Institute of Musicology
Krakowskie Przedmieście 32
PL 00-325 Warsaw

Polish Academy of Sciences, Institute of Art
Długa 26/28
PL 00-950 Warsaw

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