Sekstet liryczny na sopran, flet i kwartet smyczkowy (1929)
Suita fortepianowa nr 1 (1929)
Mała suita na skrzypce i fortepian (1933)
Suita fortepianowa nr 2 (1934)
Suita fortepianowa nr 3 (1936)
Sonatina kameralna (1937)
A Day and Its Seven Faces wariacje fortepianowe (1938)
Suita fortepianowa nr 4 (1946)
Sonata na skrzypce i fortepian (1946)
Sonata fortepianowa (1947/67)
American suite (12 Negro spirituals) na głos i kwartet smyczkowy (również w wersji na głos i fortepian) (1949)
3 three-part inventions na głos solo (1950)
Dahomey Suite na flet i fortepian (1951)
Dahomey Suite wersja na flet i orkiestrę smyczkową (1953)
Music for Dance Rhythms na fortepian (1958)
Prelude na orkiestrę (1958)
Dahomey Suite wersja na obój i fortepian (1959)
Snapshots na fortepian (1963)
Accents (eight short rhythmic studies) na fortepian (1964)
Dance Fantasy na orkiestrę smyczkową (1964)
Six French Folksongs na sopran, flet i fortepian (1969)
Encounterpoint na organy i kwartet smyczkowy (1973)
Encounterpoint wersja na flet, klarnet, skrzypce, wiolonczelę i fortepian (1974)
Concertino na sopran, klarnet i fortepian (1974)
Seven French-Canadian Folksongs na głos i fortepian (1978)
Suriname Music, w: Suriname Folk-Lore (red. Melville and Frances Herskovits), Nowy Jork 1936
The Evaluation of Tempo, "Ethnomusicology", Vol. 3, May 1959
A New Equidistant 12-Tone Temperament, "Journal of the American Musicological Society", Vol. 12, Summer-Fall 1959
The Origin Of The Indian 22-Tone System, "Studies in Ethnomusicology", Vol. 1, 1961
Classification of Tonal Structures, Illustrated by a Comparative Chart of American Indian, African Negro, Afro-American and English-American Structures, "Studies in Ethnomusicology", Vol. 1, 1961
Consonance and Dissonance, "Ethnomusicology", Vol. 6, May 1962
The General Direction of Melodic Movement, "Ethnomusicology", Vol. 9, September 1965
The Structure of Melodic Movement: a New Method of Analysis, "Studies in Ethnomusicology", Vol. 2, 1965
Recent Trends in Ethnomusicology, "Ethnomusicology", Vol. 11, January 1967
An Apache Rabbit Dance Song Cycle as Sung by the Iroquois, "Ethnomusicology", Vol. 16, September 1972
A Cross-Cultural Approach To Metro-Rhythmic Patterns, "Ethnomusicology", Vol.17, September 1973
A Co-ordinated Denomination and Notation of Pitch, "Canadian Association of University Schools of Music Journal", Vol. 6, Spring 1976
Final Reply To Herndon, "Ethnomusicology", Vol. 21, January 1977
The Structure of Music: Diversification Versus Constraint, "Ethnomusicology", Vol. 23, May 1978
