composer, musicologist, instrumentalist and improviser; b. 1992 in Krosno Odrzańskie. He studied composition with Bettina Skrzypczak (1st degree) and accordion with Jerzy Kaszuba and Stanisław Miłek (1st and 2nd degree) at the Academy of Music in Bydgoszcz. Currently he is a PhD student in the Institute of Musicology at the University of Wrocław, where he studies late medieval music. In addition to the accordion, he also plays the portative organ.
Ryszard Lubieniecki's papers were published, among others, in "Muzyka" quarterly of the Institute of Art of the Polish Academy of Sciences, "Res Facta Nova" and dwutygodnik.com. He collaborates with the "Ruch Muzyczny" magazine.
His music was performed at Gaudeamus Muziekweek (Netherlands), ECCO 2020 Concert in Brussels, Musica Privata IV in Łódź, Słuchalnia in Toruń, Musica Polonica Nova and Musica Electronica Nova in Wrocław as well International Summer Course SYNTHETIS in Radziejowice. He was an artist-in-residence for Musica Privata VI in 2018 in Łódź. His work
After Baude Cordier (Belle, bonne, sage tape cover) was commissioned in the "Collections – Composing Commissions" 2019 programme operated by the Institute of Music and Dance.
In 2014 he founded the contemporary music ensemble Layers with Zofia Ilnicka (flute) and Jakub Wosik (violin). With the trio he performed pieces by Alannah Marie Halay, Josue W. Amador and Piotr Bednarczyk. In 2019 he founded the early music ensemble Vox Imaginaria with singer Julieta Gonzalez-Springer.
In 2016 Lubieniecki started his first solo project – Amplified accordion project. New pieces have been written especially for him, including compositions by Dominik Karski, Alannah Marie Halay, Gilberto Agostinho and Mateusz Śmigasiewicz. In July 2019 his first solo CD Seeds was released by Nasze Nagrania.
As an improviser he is active in improvised music scene in Wrocław, playing in ensembles Lubieniecki/Rupniewski, Disquiet and Widzicie.
updated: 2020 (ac)
https://soundcloud.com/ryszard-lubieniecki
Concerto na lewą rękę i tutti akordeonu for accordion (2012)
Concerto II for violin and accordion orchestra (2012)
Eight found in the Bathtub for piano (2013)
Two spaces for 2 percussionists for woodblocks and marimba (2013)
Studium for flute solo (2013)
Music for three performers for flute, piano and percussion (2013)
Important Conversations for flute, violin, baritone and bass clarinet to words by Stanisław Ignacy Witkiewicz (2013)
Balkan Landscape for bassoon solo (2014)
ROCK1 for amplified cello and cassette tape (2014)
Die Antilärmbewegung for string quartet (2014)
Layers for flute, violin, accordion and cassette tapes (2014)
metal-skin-synthesis for bongos and cymbal (2 percussionists) (2014)
Before R1 for cello solo (2014)
ROCK2. Study for tape for cassette tape (2014)
Neurons-Phantom for instrumental ensemble (with tape) (2014)
wide-narrow-synthesis for oboe and flügelhorn (2015)
Die Antilärmbewegung [2nd version] for string quartet (2015)
Kalkwerk for bassoon, percussion and string orchestra (2015)
K _ _ kw _ _ k _ al _ _ er _, radio play for soprano, double bass and cassette tape to words by Thomas Bernhard (2015)
Die Antilärmbewegung II for fute, oboe and violin (2015)
Die Antilärmbewegung II [2nd version] for flute, violin and accordion (2015)
Verstörung for guitar quartet (2015)
Gest I for cello solo (2015)
Beaute Parfaite. After Antonello da Caserta (noise version), electronic music (2015)
Beaute Parfaite. After Antonello da Caserta for trumpet, alto flute, violin, accordion, percussion and electronics (2016)
air-metal-wood-synthesis for 2 accordions and percussion (2016)
Die Antilärmbewegung [3rd version] for string quartet (2016)
The different view on 'Layers' (or Layers II) for flute, clarinet and piano (2016)
After Jacob de Senleches (La harpe de melodie tape cover), electronic music (2016)
black-control-Holzfällen for dancer, amplified prepared accordion, electronics and cassette tapes (2017)
/Paradoxical/ Isorythmical proposal for flute, accordion, percussion and (optional) 2 cassette recorders (2017)
Isorythmical Composition No. 2 [1st version] for alto flute solo (2017)
Isorythmical Composition No. 2 [2nd version] for alto flute and double bass (2017)
Isorythmical Composition No. 2 [3rd version] for alto flute, double bass and accordion (2017)
Isorythmical Composition No. 3 for reed quintet (2017)
Pr_m_ _at et_r_o (Isorythmical Composition No. 4) for voice and electronics (2017)
...i_ _i_tel_lt_ _lic_en Sc_les_ _n (Isorythmical Composition No. 5) for flute and violin (2018)
Hont paur (After Codex Faenza) for viola, alto saxophone and electronics (2019)
Hont paur (After Codex Faenza), electronic music (2019)
After Baude Cordier (Belle, bonne, sage tape cover) for alto flute, violin, cello and cassette tapes (2019)
