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„Byłem tu, Fryderyk”
24 stycznia 1018, Warszawa
XI Międzynarodowy Konkurs Wiolonczelowy im. Witolda Lutosławskiego
29 stycznia - 10 lutego 2018 , Warszawa
XV Konkurs Kompozytorski im. Tadeusza Ochlewskiego
31 stycznia 2018 roku
Henryk Mikołaj Górecki III Symfonia „Symfonia Pieśni Żałosnych”
Premiera płyty
Ogólnopolski Konkurs Orkiestr Smyczkowych
27-28 marca 2018, Bydgoszcz
„Sinfonia Varsovia Kameralnie” – nowy cykl koncertów w siedzibie Orkiestry
3 stycznia - 5 grudnia 2018, Warszawa
Arte dei Suonatori Masterclasses
12–18 lutego 2018, Radziejowice

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The Final Concert of the XXVII International Festival of Young Laureats of Music Competitions – Interventions 2017

fmlOn December 15, 2017 at 6 p.m. at the Concert Hall of the Academy of Music in Katowice (Zacisze 3 Street) a final concert of the XXVI International Festival of Young Laureats of Music Competitions will take place under the title „Sketches for the opera – Stanisław Moniuszko’s „The Haunted Manor”. 

Young vocalists, laureats of Polish and international competitions, students and graduates of music academies and different educational centers, as well as participants of the Opera Academy at the Teatr Wielki – National Opera in Warsaw, will perform well-known arias, duets and ensembles from Moniuszko’s “The Hanuted Manor”.

The event is co-financed by the Institute of Music and Dance as part of the programme „Music and Dance – Interventions 2017”. Free admission cards available at the IPiUM “Silesia” beureau (31a 3 Maja Street) and by phone (10 a.m. to 2 p.m.).

Media patronage: Polish Music Information Centre POLMIC.

Haydn. The Day Trilogy | Berenice

siPolish Sinfonia Iuventus Orchestra will perform Joseph Haydn's "The Day Trilogy" symphonies and Scena di Berenice with Olga Pasiecznik on December 15th, 2017, at 7:00 p.m. at the Great Hall of the Royal Castle in Warsaw.

Three symphonies devoted to different time periods – times of day – are an interesting curiosity in Haydn's legacy. There are some mentions that there were supposed to be four works, but if “Night” was one of them, it has not survived and today the cycle consists of three: Morning, Noon and Evening, annotated in the scores with French titles. It was probably created around 1761, shortly after the great composer took up the post of the vice-band leader of the ensemble of Prince Pál Esterházy. These charming Rococo works are evidence of the intensive search for a new expression of the hitherto simple sinfonia of Baroque provenance and its transformation into a mature, classic symphony.

During his second visit to London in 1795, Haydn wrote the dramatic scene Berenice, che fai for Italian singer Brigida Banti, using the expressive text from Pietro Metasiasio’s Antigono. In the work, Berenice mourns the (alleged) suicidal death of her beloved Demetrio. The role of the emotion-torn Berenice will be sung by one of the most acclaimed singers, Olga Pasiecznik from Ukraine, who has been living in Poland for years. Pasiecznik is adored by audiences for many unforgettable opera and oratorial roles, as well as her wonderful song repertoire. The concert will be led by Gabriel Chmura.

Concerts of Polish Sinfonia Iuventus Orchestra are organised under Polish Music Information Centre POLMIC patronage.

More information: http://sinfoniaiuventus.pl 

SuperSam +1: Rabih Beaini / Mikołaj Trzaska

ssThe next concert from a series of master performances „SuperSam + 1”, organised by the „Mózg Foundation”, will take place on December 14, 2017 at 8 p.m. at the “Mózg Powszechny” club (Zamoyskiego 20 Street, Warsaw). The main performers will be Rabih Beaini and Mikołaj Trzaska.

Rabih Beaini is a lone voice in electronic music. Few people thread as challenging and intriguing live shows as him, where dark wave, krautrock, post everything and techno all sit together in haunted hardware harmony. His own Morphine label is just as sonically unpredictable so are his own cultured remixes or stunning long players such as the immediately timeless and standout ouvre that was ‘What We Have Learned’.

Mikołaj Trzaska is an icon of jazz avant-garde in Poland. He seeks common grounds between Chasidic music and contemporary improvise music. He plays the saxophone, bass clarinet and he is also a composer. He grew up on yass, which is an artistic and social movement of 80’s and 90’s that rebelled against the brassbound of Polish jazz environment. Together with a group of friends they changed the image of Polish jazz music. Trzaska was the co-founder of yass’s most important group, the legendary Miłość and the equally creative Łoskot.

“Supersam + 1” is a series of master performances. The project focuses mainly on music, however, it also includes other forms of expression such as: performance, multimedia, monodrama. “SUPERSAM + 1” will present respected Polish and foreign artists whose work is original, experimental and innovative.

Media patronage: Polish Music Information Centre POLMIC.

Additional information: www.supersam.mozg.pl 

Benefit concert of Grażyna Pstrokońska-Nawratil

gpnKarol Lipiński Academy of Music in Wrocław and Wrocław Branch of Polish Composers Union invite to a benefit concert of professor Grażyna Pstrokońska-Nawratil. It will be held on December 10th, 2017, at 5 p.m. at the Concert Hall of the Karol Lipiński Academy of Music.

The concert will start with a meeting with the composer entitled "... between sounds...". Then pedagogues, graduates and students of the Karol Lipiński Academy of music will perform a list of pieces specially composed for the occasion and dedicated to Grażyna Pstrokońska-Nawratil. The event will be accompanied by an exhibition Professor Grażyna Pstrokońska-Nawratil – artist, pedagogue, pionier organised by the Main Library of Karol Lipiński Academy of Music.

The entrance is free of charge.

Additional information: http://www.amuz.wroc.pl

Gdańsk Art of Accordion Music Interpretation

g10th edition of the Gdańsk Art of Accordion Music Interpretation will be held on December 6 and 11, 2017 in Gdańsk.

The festival programme covers both premieres of new accordion works as well as classical chamber and solo accordion repertoire. On December 6th at the Gdańsk Main Town Hall Paweł Zagańczyk and a group of students from the Academy of Music in Gdańsk will premiere accordeon concerts by Krzesimir Dębski and Maciej Zimka. We will also hear a duet: Julianna An (violin) and Martyna Podolska (accordion).

The concert on December 11th at the City Culture Institute in Gdańsk will feature new accordion works performed by students of professor Krzysztof Olaczak (Błażej Reiter, Marta Stanzecka, Albert Woelke) from the Feliks Nowowiejski General Primary and Secondary Music School in Gdańsk, and Tomasz Kwiatkowski (Paweł Wiśniewski) from the General Primary and Secondary Music School in Grudziądz. W will also hear Paweł Ratajek, a second year student at the Academy of Music in Gdańsk.

The entrance to the concerts is free.

Media patronage: Polish Music Information Centre POLMIC.

"The Baltic Legend" for Feliks Nowowiejski 140th Birthday Anniversary

lNearly a hundred years after its world premiere, Feliks Nowowiejski's The Baltic Legend returns to the stage of the Poznan Opera House. The performance will be held on December 8, 2017 and it will end the 140th anniversary of the composer's birth.

Two rivals. Doman the fisherman and Lubor the merchant, seek to marry Bogna. Her father, favouring the wealthy Lubor, sends Dorman off to find the crown of Jurate, the legendry ruler of a sunken city, hoping to never see him again... Will justice overcome the waves of intrigue?

Feliks Nowowiejski, the author of the music to Rota and the Quo vadis oratorio lived and worked in Poznan. His opera in three acts, inspired by the Slavic legend of the sunken city Vineta, abounds in folk motifs, a romantic plot filled with twists, and monumental choir parts. Doman's aria So you love me, was made famous by Jan Kiepura, who performed it worldwide. The fairy-tale world of water nymphs, demons, and marine dephts will be revived by reputed choreographer of the young generation, Robert Bondara. Maestro Tadeusz Kozłowski will be responsible for the accurate performance of Nowowiejski's score.

Solo parts will be performed by: Pavlo Tolstoy (Doman), Wioletta Chodowicz (Bogna), Aleksander Teliga (Mestwin), Szymon Komasa (Tomir), Magdalena Wilczyńska-Goś (Swatawa), Robert Gierlach (Lubor), Karol Bochański (Sambor) i Tomasz Mazur (voice of Perun). Poznan Opera House choir, ballet company and ochestra will be conducted by Tadeusz Kozłowski.

The Poznan Opera House will broadcast live the performance on December 10, 2017 at 6 p.m.

Additional information: https://opera.poznan.pl/en/premiera-2

27th Portraits of Composers

Polish Composers’ Union invites the listeners to attend the concert cycle entitled „Portraits of Composers” presented this year for the 27th time. The concerts will be held at "Łowicka" Center (Łowicka 21 street, Warsaw) on December 4 and 5, 2017 at 8 p.m. The main artists of this year's edition are Carlos Malcolm and Agnieszka Stulgińska.p


The concerts will feature two premieres commissioned by the Polish Composers' Union thanks to support of PZU Foundation. Momento musical for piano for four hands (2017) by Carlos E. Malcolm is the result of composer's experience gained during his stay in Poland. It will be perdormed by the composer and pianist Kyeong-Yeon Seo.

Three women for three women and 10 instruments (2017) by Agnieszka Stulgińska is a piece about feminity, motherhood, difficult life, travelling, space, longing, intimacy, power and generations – all the things that cannot be included in the limited space and notation... A starting point for searching for the timbre was the Polish-Belarusian boarderland where composer's father was born, and a voice of an old woman, the earth. The composition will be premiered by the well-known vocalists Maniucha Bikont and Marta Grzywacz, as well as Hashtag Ensemble.

Admission to all concerts is free.

Media patronage: Polish Music Information Centre POLMIC.

Read more: 27th Portraits of Composers

Chamber Music Concert for the 110th Birth Anniversary of Roman Palester

pChamber Music Concert commemorating the 110th Anniversary of the birth of Roman Palester will be held on December 5, 2017 at 7 p.m. at the Warsaw Philharmonic.

The concert will feature works written by Palester and other composers active in the same period: Bohuslav Martinů, Karol Szymanowski and Dmitri Shostakovich. Among the performers will be pianist Jakub Tchorzewski and Duo Viennese (violinists Paweł Zalejski and Monika Hager-Zalejski).

Bohuslav Martinů’s Sonata (1932), neoclassical in both content and form, employs a fairly typical contrast between lightness and a dense texture in the central movement. Roman Palester’s Sonata (1939), completed during the Occupation, only appears on the surface to have a neutral outlook. Palester did not manage to fully hide the overtones of calamitous fate. It was only while already in exile, 25 years later, that he could afford the luxury of composing works free of any extra‑musical connotations. His Duos  for two violins showcase the acoustic potential of these two instruments, which only appear to be treated in an identical manner.

Shostakovich’s 5 Pieces for Two Violins and Piano is not an original piece. It was written by the composer’s long‑time friend Lev Atovmyan, whom over the years Shostakovich assigned to come up with various arrangements of his music, including piano reductions of his monumental symphonies. Atovmyan compiled a very vivid suite from fragments of Shostakovich’s incidental music (The Human Comedy, 1934), a ballet (The Limpid Stream, 1934/35) and a film score (The Gadfly, 1955). A deep melancholy interweaves here with an almost purely carefree mood – after all, they were composed by an expert in character psychology, who on more than one occasion demonstrated his great sense of drama in theatre and film.

Detailed information: http://filharmonia.pl

Giacomo Puccini "La bohème"

siOn December 4, 2017 at 7 p.m. at the Szyfman Polish Theatre in Warsaw Academic Choir of the Warsaw University of Technology, ARTOS Childrens’ Choir, and Polish Sinfonia Iuventus Orchestra under the baton of Tadeusz Kozłowski will present a stage version of Giacomo Puccini’s La bohème directed by Adam Zdunikowski.

The Polish Sinfonia Iuventus Orchestra, after the success of the concert presentation of Tosca as part of the “Great Music in a Small Hall” series, staged in one of the most architecturally and acoustically interesting interiors of the Warsaw University of Technology, is returning to the idea with another one of Puccini’s masterpieces. This time, the work will be performed in the hall of the Arnold Szyfman Polish Theatre, very adequate for the purpose – this will allow a partially-staged presentation, directed by Adam Zdunikowski. The performance will also feature excellent soloists – Mimì will be played by Russian soprano Irina Papenbrock, who has been developing her career on international stages, especially in Germany; her partner as Rodolpho will be Tomasz Kuk, a renowned soloist of the Krakow Opera, who has also performed with the National Opera and several important theatres in Poland and abroad. Also participating in the show will be the choir of the Warsaw University of Technology, and the spectacle will be conducted by one of the most experienced opera specialists, Tadeusz Kozłowski, who is celebrating forty-five years of artistic work this season. He has served, among others, as art director of the Musical Theatre and the Grand Theatre in Łódź (he prepared over fifty premieres for the latter). He was also art director of the Opera and Operetta in Krakow and music director of the National Opera in Warsaw. 

Tickets available at www.bilety24.pl, www.eBilet.pl and in the ticket office of the Polish Theatre in Warsaw. 

Media patronage: Polish Music Information Centre POLMIC.

More information: http://sinfoniaiuventus.pl