Prezentacja nowego portalu internetowego www.panufnik.polmic.pl, przygotowanego przez Polskie Centrum Informacji Muzycznej, miała miejsce 16 maja 2014 roku o godzinie 16:30 w Sali Kameralnej warszawskiej siedziby PWM.
To kolejny, po www.serocki.polmic.pl i www.baird.polmic.pl, serwis poświęcony kompozytorowi XX wieku. Gościem specjalnym prezentacji zatytułowanej Andrzej Panufnik - tradycja i nowoczesność była Lady Camilla Panufnik, a portal internetowy przedstawiła jedna z jego autorek – Beata Bolesławska-Lewandowska.
Drugą część spotkania wypełnił koncert kameralny, podczas którego wystąpili: Janusz Wawrowski – skrzypce, Magdalena Bojanowicz – wiolonczela i Bartłomiej Kominek – fortepian. Artyści wykonali Trio fortepianowe op. 1 Andrzeja Panufnika z roku 1934.
Wydarzenie towarzyszyło XXVIII Warszawskim Spotkaniom Muzycznym.
Realizacja portalu została dofinansowana przez Instytut Muzyki i Tańca oraz z funduszy europejskich w ramach programu "Minstrel".
PIERWSZA RECENZJA PORTALU (16 maja 2014) - na stronie www.onpolishmusic.com:
One of the most valuable initiatives of the Polish Music Information Centre (POLMIC), in conjunction with the Polish Composers’ Union (ZKP) and other institutes and publishers, is a series of composer websites. The first, in 2012, was devoted to Kazimierz Serocki, and the second, in 2013, to Tadeusz Baird. Today, it is the turn of Andrzej Panufnik, in his centenary year. With the launch last year of the threecomposers.pl website at NINATEKA (Górecki, Lutosławski, Penderecki), there are now accessible sources in English and Polish for six of Poland’s most distinctive composers of the second half of the twentieth century.
The leading light of the editorial team on the Panufnik site is Beata Bolesławska-Lewandowska (she was closely involved involved in its predecessors). The three POLMIC sites have similar formats, although the Panufnik site is more extensive. It has eight principal sections, most with several sub-sections: Life, Timeline, Work, Musical Inspirations, Places, Gallery, Bibliography, Discography, plus a featured work, in this case Sinfonia sacra.
It looks as thorough and informative as its predecessors. There are, for example, excerpts from most works at the top of their individual entries, which give useful background information on compositional circumstances, Panufnik’s concept and reception. There is even information on the mass songs (with pages from the published scores). The six entries under Musical Inspirations are useful little essays and a new feature (Places), possibly taking its cue from the mobile app released a year ago for Lutosławski’s Warsaw, explores half-a-dozen locations in each of Poland and Great Britain that were significant to Panufnik.
As one might expect, the Gallery of photos is especially rich, given Camilla Panufnik’s renown as a photographer. The Bibliography is substantial and the CD Discography looks comprehensive. There is the occasional navigational oddity (the audio excerpts are grouped under Gallery-Music), while the left sidebar can be a bit too sensitive to the touch of the cursor. It would also be helpful sometime to have English translations of the documents that feature as photographs.
This new Panufnik site is an exceptional new resource, and a credit to all involved. It is well worth investigating at leisure. I wonder who will be next in this series?
Later on 16.05.14: Beata Bolesławska-Lewandowska has informed me that the next composer in the series will be Tomasz Sikorski – excellent news. His website will be launched at the 2014 ‘Warsaw Autumn’ festival.
PRZECZYTAJ: http://onpolishmusic.com/2014/05/16/%e2%80%a2-new-website-for-panufnik