our projects

Warsaw | I International Music Festival of Central-Eastern Europe "Eufonie"

11 concerts during 9 days in 5 concert halls. World-famous soloists and European orchestras. The Polish Composers' Union invites to the 1st International Festival of Central-Eastern Music 'Euphonie', which will take place from November 23 to December 1, 2018 in Warsaw.

"Eufonie" is a new music festival, referring to the tradition of the regional community of most countries today referred to as Central and Eastern Europe, stretching from the Balkans, through Romania and Austria, the Visegrad Group countries, the Ukraine and Belarus, to the Baltic countries, sometimes extended to Scandinavia. This area is a fascinating melting pot of influences from the East and the West, boiling with cultural energy which often determined the identity of nations deprived of their own countries.

During this year's edition – organized in the special year of the 100th anniversary of Poland regaining its independence – we will hear, among others, works by Karol Szymanowski, Krzysztof Penderecki, Béla Bartók, Henryk Mikołaj Górecki, Antonín Dvořák, and Arvo Pärt. There will be two premieres of works commissioned by the organizers: Catalog of Trees by Michał Jacaszek, Virpi Pahkinen and Thomas Strønen, and DoubleCelloConcerto by Hanna Kulenty. Among the performers: Zoltán Fejérvári, Laurence Foster, Aleksandra Kurzak, Félix Lajkó, Anne-Sophie Mutter, Leonard Slatkin, Akiko Suwanai, and outstanding orchestras: National Polish Radio Symphony Orchestra, National Philharmonic Orchestra, Sinfonia Varsovia, Tallinn Chamber Orchestra, Budapest Festival Orchestra. The Festival will be accompanied by the International Musicological Conference "National identities – European universality. Music and musical life in Central and Eastern Europe (1918-2018). "

The festival is organized by the National Center for Culture thanks to funding from the Ministry of Culture and National Heritage. The partner of the Festival is the Polish Composers' Union. President of the Polish Composers' Union and director of POLMIC Mieczysław Kominek is the chairman of the programme board.

More information at: https://nck.pl/en/activities/i-international-music-festival-of-central-eastern-europe-eufonie

Warsaw | Presentation of a new website dedicated to Grażyna Bacewicz

On September 21, 2018 at 4.00 p.m., in the Warsaw branch of the Polish Music Publishers (8 Fredry St.), the presentation of a new website dedicated to Grażyna Bacewicz will take place as part of the 61st International Festival of Contemporary Music "Warsaw Autumn".

"For people, I always have a cheerful face" – this sentence taken from a letter of Grażyna Bacewicz to brother Vytautas is almost a signature of the personality of the Polish composer, violinist, teacher and ... writer. This is how Bacewicz remained in the memory of people who knew her: a woman full of warmth and openness, but also completely absorbed in creative passion. In her music she unite idiomatic style features with new means of expression. As a violinist she amazed with technical ease, expressive temperament and purity of sound. She gave concerts, composed, traveled, held responsible positions in the Polish Composers' Uniion, and at the same time was a wife, mother, friend ... The ability to efficiently combine various activities she jokingly explained by having "a tiny, invisible motor" allowing her to do everything much faster than others.

All these faces of Grażyna Bacewicz – "the first lady of music" – will be revealed on the new portal, which is part of the POLMIC website. The presentation of the portal will be led by: the chairwoman of the Musicologists Section of the Polish Composers' Union dr Beata Bolesławska-Lewandowska and musicologist Lech Dzierżanowski. During the presentation, rarely performed songs by Grażyna Bacewicz will be performed by a wonderful duo of outstanding musicians: Joanna Freszel and Bartłomiej Kominek.

Admission free!

The event is organised by the Polish Music Information Centre POLMIC.

The website is available at: https://bacewicz.polmic.pl/

Report on the Music Market in Poland 2008

We encourage you to get acquainted with the report on the music market in Poland, prepared by Aleksandra Jagiełło-Skupińska. The report concentrates on the music record industry, with particular emphasis on classical music. It contains data related to digital music online, the download of music files to mobile phones, radio and television broadcasters, copyright organizations, music life and score publishers.

„The Polish music market is of little significance to the world or European markets. In comparison with leading world markets, such as the USA, Japan, the UK, Germany or France, the value of the Polish market is small. In the World Ranking run by the International Federation of the Phonographic Industry (IFPI), Poland is 24th with regard to physical sales value, 36th as far as digital sales are concerned, and 28th with respect to performance rights. (…)

The Polish music record market is dominated by four main music corporations (majors), whose combined share in the market totals approximately 75%. These are: Universal Music Poland, EMI Music Poland, Sony BMG Music Entertainment and Warner Music Poland. In this respect, the Polish market mirrors the world music market. The competitors of these corporations are several hundred small local record labels with limited budget for promotion and small catalogues of performers. Many of these small labels do not possess their own system of distribution, and are therefore dependent on distribution by the majors, which allows the latter to take control over the distribution of many independent labels. Only a few of the Polish record companies can boast markets shares exceeding 1%. It is a characteristic feature of the Polish market that record sales are increasing, which is contrary to the global trend. Worldwide, record sales are continually falling, while digital music sales are rising. (…)

Classical music recordings constitute 10% of the total value of all recordings sold in Poland. In comparison with the general situation on the Polish record market, the classical music sales are less concentrated. For the majors, it is the weakest segment of the market. Despite the domination of the market by the majors, local producers in the classical segment offer strong competition, unlike in the popular Polish and foreign music segment, or in the market for medleys and soundtracks. (…)

In recent years, the digital music market in Poland has gradually gained more importance, but this growth is very slow in comparison with Western European markets and the USA. This difference results, on the one hand, from less universal access to the Internet, particularly – broadband, and, on the other, by a high level of Internet piracy. (…)

Polish classical music is extremely poorly represented online. The opportunities created by the Internet are used by classical music authors and performers only to a very small extent. In the above listed Internet shops, one can buy Polish classical music, less commonly – contemporary works, but a successful search for a specific composition to purchase as a music file is virtually impossible. (…)

Downloading music to mobile telephones is definitely on the increase. This refers to TrueTones / RealTones, or, in other words, music and ringtones in mp3, WMA and other formats (while the download of mono- and polyphonic ringtones is systematically falling). The market share of sales in these categories has soared in the last two years. According to research conducted by Telecom Media on a representative sample of 32 thousand persons, women download more music than men (57%), and most music is downloaded by persons aged 20-30 (49%), with secondary education (63%), living in the country (34%). Most classical music is downloaded by consumers aged 30 to 40 (36%), with tertiary education (50%). ”

More: Report on the Music Market in Poland 2008 - PDF file

RE:NEW MUSIC in Poland

The Polish Music Information Centre organises the first RE:NEW MUSIC workshop and open rehearsal in Poland. The workshop will take place on Thursday, 17th September 2009, at 2 pm in the State Music Schools No. 1 in Warsaw (22d, Miodowa St., 'Mala Miodowa'). It will be open to the public and free of charge.

The workshop, conducted by Gilles Gobert, is entitled Some thoughts about contemporary notation, especially in electronic music and it will “combine” theory with practice. The composer’s lecture about new notation - when and why he uses it in his works, what its possibilities and what the limitations of the conventional notation are – will be combined with a presentation of the modes of performing chosen "signs" and an invitation to the realisation of selected fragments of scores by learners. The workshop is addressed to young composers and performers.

The open rehearsal of the Pièce pour piano, percussions et électronique (the composition selected from the RE:NEW MUSIC by KWARTLUDIUM+) will be held by the composer on Friday, 18th September 2009, at 9 am in the Chamber Music Hall of Warsaw Philharmonic.

download pdf file

Polish Music Today - Portraits of Contemporary Polish Composers

The CD series Polish Music Today - Portraits of Contemporary Polish Composers was inaugurated in 2013 by Polish Music Information Centre POLMIC in co-operation with Polish Radio SA, thanks to the generous support of the Ministry of Culture and National Heritage. Ten audio CDs have been released, each dedicated to one contemporary Polish composer. Different generations of composers, living in both Poland and abroad, are represented in this series. They are:

Zbigniew Penherski
Lidia Zielińska
Magdalena Długosz
Tadeusz Wielecki

The composers were actively involved in the project, which made it possible to select works representative of their output in interpretations most valued by the composers themselves. The CD booklets contain texts by authors who were recommended by the composers. Most of the recordings come from the collection of the Library of the Polish Composers Union (live concert recordings from the festivals “Warsaw Autumn' and “Warsaw Music Encounters', the series “Generations', “Composer Portraits”, “Music Now”, and others) and the Polish Radio Archive (including the greatest historical radio recordings), as well as the composers’ private collections (mostly – their own electroacoustic music productions). Moreover, thanks to the kind support of many persons and institutions, we have been able to include studio and concert recordings highly appreciated by the composers, but produced by other institutions and labels (e.g. selections from a concert organised by Polish Music Center in Los Angeles, CA, USA, as well as a studio recording by DUX Recording Producers), and even make new recordings specially for this series: of Tadeusz Wielecki’s piano pieces performed by Małgorzata Walentynowicz (produced by Anna Kasprzycka and Musicon) and a composition for violin and electronics by Magdalena Długosz (Dagna Sadkowska – violin, prod. Ewa Guziołek-Tubelewicz).

The CD series has also been designed so as to promote the performers, who willingly agreed to take part in this project. The CDs contain excellent interpretations by the PNRSO, Polish Radio Symphony Orchestra and Amadeus Chamber Orchestra of Polish Radio, as well as many other outstanding Polish and foreign ensembles, conductors and soloists.

POLMIC plans to continue this project, as well as launching a parallel CD series dedicated to eminent performers and entitled Portraits of Contemporary Music Performers. Demand for this kind of series has become evident during work on the current project and conversations with both the composers and performers.

The Polish Music Today CD series has been released in 500 copies, 300 of which have been distributed by POLMIC free of charge for promotional purposes, and 200 – sold by Polish Radio SA as co-producer. The booklets contain information about the composers, works and their performers in the Polish and English language.

Polish Music Today was promoted at a meeting held as part of the conference What is the Polish Music Market Like? – on Tuesday, 21^st January 2014 between 11 a.m. and 4 p.m. at the POLIN Museum of the History of Polish Jews in Warsaw.

Self-reflections of contemporary Polish composers / Presentation of Zamowieniakompozytorskie.pl

Język muzyczny współczesnych kompozytorów polskich: autorefleksje

Conference

The Musical Languages of Contemporary Polish Composers:

Self-reflections

University of Warsaw Library / Bogumił Linde Hall

66 Dobra Street, Warsaw

Friday, September 25th, 10:30 a.m. – 4 p.m.

Saturday, September 26th, 10:30 a.m. – 4 p.m.

Composers’ reflections on their own musical language offer a fascinating view of musical composition and may well be seen as complementary to musicological analysis. At this conference, musicologists will discuss the composers’ own commentaries on their individual musical languages and techniques. Composers will comment upon and supplement these presentations. Some of the composers will present their own work.

The language of the conference is Polish, but simultaneous interpretation will be available for speakers of English.

Presentations:

Friday, September 25th

Violetta Przech presents Zbigniew Bargielski

Krzysztof Szwajgier presents Zygmunt Krauze

Marta Tabakiernik presents Marcin Stańczyk

Maciej Jabłoński presents his own music

Rafał Augustyn presents his own music

Daniel Cichy presents Witold Szalonek

Beata Bolesławska presents Andrzej Panufnik

Saturday, September 26th

Iwona Lindstedt presents Kazimierz Serocki

Agnieszka Draus presents Marek Stachowski

Krzysztof Stefański presents Paweł Hendrich

Katarzyna Naliwajek presents Paweł Szymański

Krzysztof Knittel presents his own music

Marcin Gmys presents Paweł Mykietyn

Marcin Krajewski presents Witold Lutosławski

During the conference

Friday, September 25th, 12:00

Presentation of the website: Zamowieniakompozytorskie.pl

Presentation of the new website of the Ministry of Culture and National Heritage Programme “Collections. Priority: Compositional Commissions.” The website is operated by the Institute of Music and Dance.

The programme aims to support contemporary music composition by commissioning new works and creating favourable conditions for their permanent presence in the public space.

***

Organisers:

University of Warsaw, Institute of Musicology

Polish Music Information Centre POLMIC

Polish Society for Music Analysis

Institute of Music and Dance

A Polish Composers’ Union 70th Anniversary Event

The events accompanying the 70th Anniversary of the Polish Composers’ Union are coorganised by the Institute of Music and Dance from the funds of the Ministry of Culture and National Heritage.

Sound Chronicle of the 58th Warsaw Autumn

The Sound Chronicle of the 58th "Warsaw Autumn" International Festival of Contemporary Music, which was held between September 18th and 26th, 2015, consists of 6 CDs.

Similarly to the previous issues, it contains a selection of works by Polish and foreign composers performed at the Festival. The last CD within the series (CD No. 6) is dedicated to very young composers. It features six compositions performed during the concert organised by the Youth Circle of the Polish Composers' Union as a fringe event of the Festival.

The Sound Chronicle of the Warsaw Autumn has been published after each edition of the Festival since its inception in 1956. Since 1999, it has been released as audio CDs. As in the previous years, the CDs are exclusively of informational, promotional and educational character and are not being sold. They can be provided free of charge to interested institutions and persons by the publisher – the Polish Music Information Centre POLMIC. Due to the low circulation and growing interest in the product, priority is given to school, academic and public libraries.

Sound Chronicle of the 2015 Warsaw Autumn

CD No. 1
(polmic 116)

/ 1
Alvin Lucier (b. 1931)
Slices (2007) 20’49’’
for cello and orchestra

Marcin Zdunik cello
POLISH NATIONAL RADIO SYMPHONY ORCHESTRA KATOWICE
Alexander Liebreich conductor

/ 2
Lidia Zielińska (b. 1953)
Sinfonia concertante (2014-2015) 26’13’’
for small sound devices, small percussion and large orchestra

Lidia Zielińska small sound devices
Krzysztof Przybyłowicz percussion
POLISH NATIONAL RADIO SYMPHONY ORCHESTRA KATOWICE
Alexander Liebreich conductor
Wojciech Błażejczyk sound projection

/ 3
Helmut Lachenmann (b. 1935)
Air (1968-1969, rev. 1994) 17’42’’
Music for large orchestra with percussion solo

Hubert Zemlerpercussion
POLISH NATIONAL RADIO SYMPHONY ORCHESTRA KATOWICE
Alexander Liebreich conductor
Wojciech Błażejczyk sound projection

/ 4
Justė Janulytė (b. 1982)
Textile (2006-2008) 10’55’’
for orchestra

WARSAW PHILHARMONIC – POLISH NATIONAL ORCHESTRA
Jacek Kaspszyk conductor

CD No. 2
(polmic 117)

/ 1-5
Philippe Manoury (b. 1952)
Zones de turbulences (2013) 13’47’’
for two pianos and orchestra

Jenny Q Chai piano
Adam Kośmieja piano
POLISH NATIONAL RADIOSYMPHONY ORCHESTRA KATOWICE
Alexander Liebreich conductor

/ 6
Simon Steen-Andersen (b. 1976)
Double Up (2010) 17’23’’
for sampler and small orchestra

Grzegorz Gorczyca sampler
Simon Steen-Andersen live mixing
WARSAW PHILHARMONIC – POLISH NATIONAL ORCHESTRA
Jacek Kaspszyk conductor
Barbara Okoń-Makowska sound projection

/ 7
KenUeno (b. 1970)
…bloodblossoms… (2002) 11’45’’
for amplified instrumental sextet

Members of the NEW MUSIC ORCHESTRA (ORKIESTRA MUZYKI NOWEJ)
Szymon Bywalec conductor
Marta Olko sound projection

/ 8
Marta Śniady (b. 1986)
Aer (2014) 19’25’’
for clarinet / bass clarinet and chamber ensemble

Robert Stefański clarinet / bassclarinet
NEW MUSIC ORCHESTRA (ORKIESTRA MUZYKI NOWEJ)
Szymon Bywalec conductor
Marta Olko sound projection

/ 9
Stefan Prins (b. 1979)
Fremdkörper #3 (mit Michael Jackson) (2010) 13’10’’
for chamber ensemble and sampler

NEW MUSIC ORCHESTRA (ORKIESTRA MUZYKI NOWEJ)
Szymon Bywalec conductor
Marta Olko sound projection

CD No. 3
(polmic 118)

/ 1
Jerzy Kornowicz (b. 1959)
Wielkie Przejście (The Big Crossing) (2013) 19’56’’
Icons for piano, other concertante instruments and symphony orchestra

DmytroTavanets piano
WARSAW PHILHARMONIC – POLISH NATIONAL ORCHESTRA
Jacek Kaspszyk conductor
Barbara Okoń-Makowska sound projection

/ 2
Carola Bauckholt (b. 1959)
Emil willnichtschlafen… (2009-2010) 09’31’’
for voice and orchestra

Salome Kammer voice
JANÁČEK PHILHARMONIC ORCHESTRA OSTRAVA
Zsolt Nagy conductor
Barbara Okoń-Makowska sound projection

/ 3
José MaríaSánchez-Verdú (b. 1968)
Mural (2009-2010) 15’36’’
for orchestra

JANÁČEK PHILHARMONIC ORCHESTRA OSTRAVA
Zsolt Nagy conductor

/ 4
Phill Niblock (b. 1933)
Baobab (2011) 22’05’’
for orchestra

JANÁČEK PHILHARMONIC ORCHESTRA OSTRAVA
Zsolt Nagy conductor

CD No. 4
(polmic 119)

/ 1
Paweł Hendrich (b. 1979)
Pteropetros (2015) 15’08’’
Concerto for accordion, wind quintet and string quartet

Rafał Łuc accordion
LUTOSAIR QUINTET:
Jan Krzeszowiec flute
Wojciech Merena oboe
Maciej Dobosz clarinet
Alicja Kieruzalska bassoon
Mateusz Feliński horn
LUTOSŁAWSKI QUARTET:
Bartosz Woroch 1st violin
Marcin Markowicz 2nd violin
Artur Rozmysłowicz viola
Maciej Młodawski cello
Maciej Koczur conductor
Dorota Błaszczak, Ewa Guziołek-Tubelewicz sound projection

/ 2-4
Raphaël Cendo (b. 1975)
In Vivo (2008-2011) 19’45’’
for string quartet

LUTOSŁAWSKI QUARTET:
Bartosz Woroch 1st violin
Marcin Markowicz 2nd violin
Artur Rozmysłowicz viola
Maciej Młodawski cello

/ 5
Michał Pawełek (b. 1978)
Ephreia (2008, new version 2015) 20’45’’
for string quartet, wind quintet and electronics

LUTOSŁAWSKI QUARTET:
Bartosz Woroch 1st violin
Marcin Markowicz 2nd violin
Artur Rozmysłowicz viola
Maciej Młodawski cello
LUTOSAIR QUINTET:
Jan Krzeszowiec flute
Wojciech Merena oboe
Maciej Dobosz clarinet
Alicja Kieruzalska bassoon
Mateusz Feliński horn
Michał Pawełek electronics
Maciej Koczur conductor
Dorota Błaszczak, Ewa Guziołek-Tubelewicz sound projection

/ 6
Alex Mincek (b. 1975)
‘...itconcealswithinitself...’ (2007) 10’25’’
for piano and string trio

Members of theTALEA ENSEMBLE:
Stephen Gosling piano
KenHamao violin
Elizabeth Weisser viola
Chris Gross cello

CD No. 5
(polmic 120)

/ 1
Johannes Schöllhorn (b. 1962)
Niemandsland (2009) 19’56’’
for ensemble

EUROPEAN WORKSHOP FOR CONTEMPORARY MUSIC
Rüdiger Bohn conductor

/ 2
Vito Žuraj (b. 1979)
Re-slide (2012, rev. 2015) 14’39’’
for solo trombone and ensemble

Stephen Menotti trombone
EUROPEAN WORKSHOP FOR CONTEMPORARY MUSIC
Rüdiger Bohn conductor

/ 3
Szymon Stanisław Strzelec (b. 1990)
L’Atelier de sensorité (2015) 09’55’’
for amplified cello solo and 24musicians

Aleksandra Lelek cello
EUROPEAN WORKSHOP FOR CONTEMPORARY MUSIC
Rüdiger Bohn conductor
Ewa Guziołek-Tubelewicz sound projection

/ 4
Ragnhild Berstad (b. 1956)
Cardinem (2014) 12’11’’
for large ensemble

EUROPEAN WORKSHOP FOR CONTEMPORARY MUSIC
Rüdiger Bohn conductor
Ewa Guziołek-Tubelewicz sound projection

/ 5
Giacinto Scelsi (1905-1988)
Anahit (1965) 11’31’’
Lyrical poem on the name of Venus for solo violin and 18 instruments

Maria Sławek violin
EUROPEAN WORKSHOP FOR CONTEMPORARY MUSIC
Rüdiger Bohn conductor

CD No. 6
(polmic 121)

Fringe event – young composers’ carte blanche:
concert organised by the Youth Circle of the Polish Composers’ Union
and Ensemblage Foundation

/ 1
Dominik Lasota (b. 1993)
Concerto for 8 instruments (2015) 11’11’’

/ 2
Fabian Rynkowicz (b. 1985)
Chaos (2015) 07’39’’
for flute, clarinet, horn, trumpet, piano, violin, viola and cello

/ 3
Aruto Matsumoto (b. 1985)
Reunion (2015) 09’06’’
for flute, clarinet, horn, trumpet, piano, violin, viola and cello

/ 4
Marcin Piotr Łopacki (b. 1987)
Musica concertante op. 74 (2015) 10’07’’
for flute, clarinet, horn, trumpet,piano, violin, viola and cello

/ 5
Aleksandra Chmielewska (b. 1993)
Trans-4-mation (2015) 06’16’’
for flute, clarinet, horn, trumpet, piano, violin, viola and cello

/ 6-8
Żaneta Rydzewska (b. 1991)
MorE (2015) 11’19’’
for flute, clarinet, horn, trumpet, piano, violin, viola and cello

/ 1-8
ENSEMBLAGE:
Klaudia Grad flute
Piotr Zawadzki clarinet
Anna Baran horn
Bernard Niezgoda trumpet
Andrzej Karałow piano
Szymon Naściszewski violin
Vadim Zarych viola
Marianna Sikorska cello
Marcin Piotr Łopacki conductor

We create culture. Polish Composers’ Union – 70 years. Concert of Seven Premieres

ZKP70

Toward the end of the PCU’s 70th anniversary celebrations, thanks to the joint effort of composers and musicologists active in the PCU, the idea of a new retrospective look at the last 70 years in the history of Polish music (put forward by Jerzy Kornowicz) was put into practice in the form of a quite extraordinary festival. “7+7=70”:

Tthe “Festival of Seven Currents” and the “Concert of Seven Premieres”, held to mark the PCU’s 70 years of activity, took an altogether different approach to the output of Polish composers after 1945 from those hitherto presented. The seven currents represent a focus on selected ideas rather than on specific composition techniques.

Each concert was programmed by a different musicologists acting as its curator – and all the programmers are eminent experts on Polish contemporary music. The curators commented on their choices in essays printed in the festival’s programme book. They also met the audience before the concerts – at “Current Meetings in the Current” – in order to respond to questions and doubts.

The survey of seven currents in the Polish music of the last seven decades was complemented by a concert illustrating the present-day developments in Polish music. This concert, closing the PCU anniversary celebrations, featured the premieres of works specially composed for the PCU’s Jubilee, commissioned from composers representing the successive decades or generations. The compositions were performed by the excellent Dutch Orkest de ereprijs, long-time friends and companions of the Union. The Orchestra’s leader and conductor, Wim Boerman, received the PCU Honorary Award (2003) for promotion of Polish contemporary music. One of the proofs that this award and the choice of these performers was well justified was the composition that closed our concert of premieres: Hanna Kulenty’s Piano Concerto No. 1. It had already been presented by Orkest de ereprijs in the Dutch Arnhem and other cities, but in Warsaw’s Witold Lutosławski Polish Radio Concert Studio it was heard for the first time. Now all the compositions that made up the final concert will become part of the Orchestra’s repertoire, and the concert itself is made available on a 2CD album.

We would like to take this opportunity to thank our Patrons, Partners and Friends for the last seventy years we have spent together supporting Polish contemporary music!

Mieczysław Kominek

President of the Polish Composers’ Union

The not-for-sale CDs may be obtained free of charge from POLMIC. It should be stressed, however, that since the number of copies is limited (500 copies of each CD), preference will be given to music institutions; the CDs should primarily go to libraries, schools, information centres and music publishers around the world.

CD1 (polmic 122)

1. Piotr Tabakiernik (b. 1986)
toutur throeu / the rite of hearing (2016) for cello and ensemble 19’51’’
Andrzej Bauer – cello
vocal ensemble: Małgorzata Bartkowska, Justyna Czerwińska, Anna Dubicka, Gabriela Jeleńska,
Aleksandra Endzelm-Obertyn, Katarzyna Homan, Lilianna Krych, Zbigniew Malak, Tomasz Nowak,
Jacek Rąbiński, Patryk Różycki, Zofia Smolarska, Karolina Szurek, Marta Tabakiernik
Orkest de ereprijs, Wim Boerman – conductor
Marta Olko – sound projection

2. Zbigniew Penherski (b. 1935)
Little Litany 2 (2016) for Orkest de ereprijs 06’39’’
Orkest de ereprijs, Wim Boerman – conductor

3. Aleksander Kościów (b. 1974)
Many Cities (2016) for soprano and ensemble 09’05’’
Joanna Freszel – soprano
Orkest de ereprijs, Wim Boerman – conductor
Marta Olko – sound projection

4. Paweł Hendrich (b. 1979)
Mutuusmutus (2016) for chamber orchestra and air percussion 12’56’’
Leszek Lorent – air percussion
Orkest de ereprijs, Wim Boerman – conductor

CD2 (polmic 123)

1. Jarosław Siwiński (b. 1964)
HubTub (2016) for tuba and ensemble 11’41’’
Zdzisław Piernik – tuba
Orkest de ereprijs, Wim Boerman – conductor

2. Zygmunt Krauze (b. 1938)
Poem of Apollinaire (2016) for speaking pianist and 12 instruments 14’31’’
Zygmunt Krauze – upright piano
Orkest de ereprijs, Wim Boerman – conductor
Marta Olko – sound projection

3. Hanna Kulenty (b. 1961)
Piano Concerto No. 1 (1990) for piano and chamber orchestra 19’05’’
Frank Peters – piano
Orkest de ereprijs, Wim Boerman – conductor

New works from Visegrad Group countries

Central European Music Forum concert "New works from Visegrad Group countries" took place on September 15th, 2017 at 4 p.n. in the Great Assembly Hall (Ballroom) at the Royal Castle in Warsaw.

Celebrating the 60th jubilee edition of the "Warsaw Autumn" International Festival of Contemporary Music Mieczysław Kominek, President of the Polish Composers’ Union and Jerzy Kornowicz, Director of the Warsaw Autumn International Festival of Contemporary Music were pleased to invite you to the Central European Music Forum concert "New works from Visegrad Group countries".

The concert featured first performances of works commissioned from composers of V4 Group and performed by Orkiestra Muzyki Nowej (New Music Orchestra) conducted by Szymon Bywalec. Programme: Jana Kmiťová (b. 1976, Slovakia) – Gesichtsstudien (2017), Martin Wiesner (b. 1985, Czech Republic) – Raindrops on Plastic Rooftops (2017), András Gábor Virágh (b. 1984, Hungary) – Metamorphosis (2017), Jakub Szafrański (b. 1988, Poland) – Karpaty (2017).

Jakub Szafrański's work was cofinanced by the Ministry of Culture and National Heritage of the Republic of Poland within the programme „Collections” – the priority „Composition Commissions” implemented by the Institute of Music and Dance. Jana Kmiťova's work was commissioned by the Central European Music Forum and Waves Bratislava and cofinanced by the Fond pre umenie (Slovak Arts Council).

Organisers: Polish Composers’ Union / Polish Music Information Centre POLMIC, Central European Music Forum CEMF, Institute of Music and Dance. Partners: Waves Bratislava, Czech Music Information Centre, Hungarian Composers Union. Honorary patronage: Embassy of the Slovak Republic, Embassy of the Czech Republic, Embassy of Hungary.

Cofinanced by the Ministry of Culture and National Heritage.

SEE: Facebook Event.

The opening of the "60 Warsaw Autumns" Exhibition

The opening of the "60 Warsaw Autumns" exhibition, co-organised by the Polish Composers' Union, National Centre for Culture Poland and Institute of Music and Dance, was held in Kordegarda Gallery (Warsaw, 15/17 Krakowskie Przedmieście Street) on Thursday, September 14th at 6 p.m.

Celebrating the 60th jubilee edition of the "Warsaw Autumn" International Festival of Contemporary Music Mieczysław Kominek, PhD, President of the Polish Composers’ Union, Jerzy Kornowicz, Director of the "Warsaw Autumn" International Festival of Contemporary Music and Rafał Wiśniewski, PhD, Hab. Director of the National Centre for Culture Poland were pleased to invite you to the "60 Warsaw Autumns" – Exhibition of International Festival of Contemporary Music “Warsaw Autumn” posters 1956–2017. The curator of the exhibition was Piotr Dąbrowski. The exhibition ran from September 15th through October 1st, 2017.

During the exhibition, the installation @piacere by Adam Porębski and Dariusz Jackowski were presented and a cycle of meetings entitled "My Warsaw Autumn" was held every day at 6 p.m.: Saturday, September 16th – Jerzy Maksymiuk, Sunday, September 17th – Agata Zubel, Monday, September 18th – Zygmunt Krauze, Tuesday, September 19th – Jerzy Artysz, Wednesday, September 20th – Jolanta Bilińska, Thursday, September 21st – Joanna Wnuk-Nazarowa, Friday, September 22nd – Stanisław Krupowicz, Saturday, September 23rd – Tadeusz Wielecki.

Cofinanced by the Ministry of Culture and National Heritage.

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