composer, organist, conductor and teacher; b. 5th May 1819 in Ubiel near Mińsk; d. 4th June 1872 in Warsaw. After a short period of home schooling with his mother Elżbieta, from 1827 he studied piano with August Freyer in Warsaw, and from 1830 with Dominik Stefanowicz in Mińsk. In 1836, during a stay in Vilnius, he met his future wife - Aleksandra Müller. In 1837 he started studying in Berlin, where he took private lessons in harmony, counterpoint, instrumentation and conducting with Carl Friedrich Rungenhagen, director of “Singakademie” Music Society. In Berlin, he also trained as choir master and accompanist for singers, he became acquainted with the great operatic, large-scale vocal-instrumental and symphonic repertoire, with the process of staging works and with conducting technique, taking part in rehearsals conducted by Rungenhagen and Gaspar Spontini (then a guest in Berlin).
After a three-year stay in Berlin, Moniuszko returned to his homeland in 1840. Having got married to Aleksandra Müller, he took residence in Vilnius, where he was a private piano tutor and organist in St John’s church. His activity contributed greatly to the revival of musical life in Vilnius. In St John’s Church, he organised an amateur choir, which performed only for several months, but with which, together with a provisional orchestra, he gave performances of Wolfgang Amadeus Mozart’s Requiem as well as excerpts from the oratorios The Creation by Joseph Haydn and St Paul by Felix Mendelssohn. During one concert, an orchestra conducted by Moniuszko performed works by Gaspar Spontini, Felix Mendelssohn-Bartholdy and Ludwig van Beethoven. The composer also made artistic tours to Petersburg, presenting his works to the audience in this city with much success and favourable reviews. During his journeys, he made friends with major Russian musicians, such as Mikhail Glinka, Alexander Dargomizhsky, César Cui, and Alexander Serov. In 1848 in Vilnius, he staged and conducted the first performance of the first, two-act version of his opera Halka. In 1854, aided by Achilles Bonoldi, he founded the St Cecilia Society, whose amateur members gave public concerts twice a year under the composer’s baton. After the triumph of his new four-act version of Halka during the Warsaw premiere on 1st January 1858, he toured Germany and France, and on 1st August 1858 he was appointed principal conductor of the Polish Opera in the Grand Theatre in Warsaw.
The first spectacle to be produced by Moniuszko in the Grand Theatre, still in 1858, was his own one-act opera Raftsmen [Flis]. During his 15 years of work in that theatre he staged all his later operas. With a few exceptions (like Daniel François Esprit Auber’s operas Haydée and Koń spiżowy ) he conducted almost exclusively his own operas. He also occasionally directed choirs in Warsaw’s churches, e.g. presenting Felix Mendelssohn’s oratorio Elijah in the evangelical church). As a conductor, he gave annual composer concerts. In 1862 he visited Paris again hoping to stage one of his operas there, but his efforts failed. The January Uprising in Poland was a period of political turmoil unfavourable to artistic activity and Moniuszko’s work was also affected. In 1865, however, a staging of his Haunted Mansion enjoyed an enthusiastic reception, and his new opera proved to be a success comparable to that of Halka.
Already in 1864, Moniuszko started lecturing in harmony, counterpoint and composition in the Music Institute in Warsaw, where he also directed a choir. His disciples included, among others, Zygmunt Noskowski and Henryk Jarecki. Moniuszko’s music was widely acclaimed in Poland and generally accepted as a paragon of “Slavonic” music. After Stanisław Moniuszko’s sudden death of a heart attack on 4th June 1872 in Warszawa, his funeral in the Powązki Cemetery in Warsaw turned into a national manifestation.
The celebration of Stanisław Moniuszko's 200th birth anniversary was held in Poland, Lithuania and Belarus under the patronage of UNESCO. Year 2019, proclaimed by the Parliament of Poland as the Year of Stanisław Moniuszko, featured 1770 initiatives, 10 competitions, 50 exhibitions, 60 conferences and meetings, 70 outdoor events, 200 educational activities, over 200 opera, theatre and ballet performances, 550 concerts and festivals. Polish Composers' Union and Grand Theater – National Opera organised Stanisław Moniuszko International Composers' Competition for a micro opera. Events dedicated to Moniuszko took place in over 170 cities in Poland and 60 cities around the world. In total, 570 publications were published, including sheet music, books and phonographic records. The culmination of the Moniuszko Year was the grand premiere of Halka at the Theater an der Wien. The opera directed by Mariusz Treliński featured Piotr Beczała as Jontek.
Read more: www.moniuszko200.pl
updated: 2020 (ac)
A Night in the Apennines, an operetta in 1 act (1837-39)
String Quartet No. 1 in D minor (1839)
String Quartet No. 2 in F major (before 1840)
An Ideal, an operetta in 2 acts (1840 or 1841)
A New Don Quixote or A Hundred Follies, an operetta in 3 acts (1841)
A Lottery, a “trifle” in 1 act (1842 or 1843)
Ostra Brama Litany No. 1 for solo voices, mixed choir and orchestra or piano (1843)
Bagatelles for piano, 2 books (1843)
Halka [1st version], an opera in 2 acts (1846-47)
A Fable [1st version], fantasy-overture for orchestra (1848)
A Fable [2nd version] for string quintet (1848)
Milda, a cantata for solo voices and mixed choir with orchestral accompaniment (1848)
Niyola (Wundyny), a cantata for solo voices, mixed choir and orchestra (after 1848)
Ostra Brama Litany No. 2 for solo voices, mixed choir and orchestra or piano (1849)
Yavnuta (The Gypsies), an idyll in 2 acts (1850)
Funeral Mass in D minor for a 4-part mixed choir and wind instruments with organ (1850)
Bettly, a comic opera in 2 acts (1852)
Ostra Brama Litany No. 3 for solo voices, mixed choir and orchestra or piano (before 1854)
Ostra Brama Litany No. 4 for solo voices, mixed choir and orchestra or piano (1855)
Cain, overture for orchestra (1856)
Halka [2nd version], opera in 4 acts (1857)
War Overture for orchestra (1857)
Raftsmen, an opera in 1 act (1858)
Spectres, a cantata for solo voices and mixed choir with orchestral accompaniment (before 1859)
The Countess, an opera in 3 acts (1859)
Verbum nobile, an opera in 1 act (1860)
The Haunted Mansion, an opera in 4 acts (1861-64)
Concert polonaise for great orchestra (c. 1866)
Monte Christo, a ballet in 5 acts (1866)
The Crimean Sonnets, a cantata for solo voices and mixed choir with orchestral accompaniment (1867)
At the Lodgings, a ballet in 1 act (1868)
Paria, an opera in 3 acts with prologue (1859-69)
Mrs Twardowska, a ballad for solo voices, mixed choir and orchestra (1869)
Satan’s Pranks, a ballet in 6 scenes (1870)
Beata, an operetta in 1 act (1870 lub 1871)
Petrovin Mass in B-flat major for solo voices and mixed choir with organ accompaniment (1872)
278 songs, 268 of which were printed in the 12 collections of Śpiewnik domowy [A Household Songbook], to words by such poets as Adam Mickiewicz, Aleksander Chodźko, Edmund Wasilewski, Tomasz Zan, Antoni Edward Odyniec, Józef Ignacy Kraszewski, Placyd Jankowski, Józef Korzeniowski, Jan Czeczot, Franciszek Kowalski, Johann Wolfgang Goethe, Julian Korsak, Kazimierz Brodziński, Jan Nepomucen Jaśkowski, Ludwik Sztyrmer, Władysław Syrokomla, Jan Kochanowski, Edward Żeligowski, Edmund Wasilewski, Włodzimierz Wolski, Wincenty Pol, Stefan Witwicki, Jan Prusinowski, Antoni Kolankowski, Józef Szujski, Józef Grajnert, Aleksander Michaux (Miron), Jan Zachariasiewicz, Teofil Lenartowicz, Antoni Pietkiewicz (pseud. Adam Pług), Józef Teodor Stanisław Kościelski, Pierre-Jean de Béranger (for a list of selected songs from each volume of Śpiewnik domowy [A Household Songbook], see – Polish version).